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The Swell Season - I Have Loved You Wrong

Here’s another track from The Swell Season’s new album, Strict Joy. It came out today, and it was definitely worth buying. (For those who don’t recognize The Swell Season, they’re the leads from “Once”.) I’ve been linking to their deluxe edition album, which includes the studio album, a live album and a concert on DVD for $18, but you can pick up the no-frills edition for $10, or you can get both the live album and the studio album for $15 on Amazon MP3. I don’t even have referral links set up for these. Perhaps I should!

On that note, time to shower and go to class.

The Story of Our Lives, Mark Strand

poetry365:

1
We are reading the story of our lives
which takes place in a room.
The room looks out on a street.
There is no one there,
no sound of anything.
The trees are heavy with leaves,
the parked cars never more.
We keep turning pages,
hoping for something,
something like mercy or change,
a black line that would bind us
or keep us apart.
The way it is, it would seem
the book of our lives is empty.
The furniture in the room is never shifted,
and the rugs become darker each time
our shadows pass over them.
It is almost as if the room were the world.
We sit beside each other on the couch,
reading about the couch.
We say it is ideal.
It is ideal.

2
We are reading the story of our lives
as though we were in it,
as though we had written it.
This comes up again and again.
In one of the chapters
I lean back and push the book aside
because the book says
it is what I am doing.
I lean back and begin to write about the book.
I write that I wish to move beyond the book,
beyond my life into another life.
I put the pen down.
The book says: He put the pen down
and turned and watched her reading
the part about herself falling in love.

The book is more accurate than we can imagine.
I lean back and watch you read
about the man across the street.
They built a house there,
and one day a man walking out of it.
You fell in love with him
because you knew that he would never visit you,
would never know you were waiting.
Night after night you would say
that he was like me.
I lean back and watch you grow older without me.
Sunlight falls on your silver hair.
The rugs, the furniture,
seem almost imaginary now.
She continued to read.
She seemed to consider his absence
of no special importance,
as someone on a perfect day will consider
the weather a failure
because it did not change his mind.

You narrow your eyes.
You have the impulse to close the book
which described my resistance:
how when I lean back I imagine
my life without you, imagine moving
into another life, another book.
It described your dependence on desire,
how the momentary disclosures
of purpose make you afraid.
The book describes much more than it should.
It wants to divide us.

3
This morning I woke and believed
there was no more to our lives
than the story of our lives.
When you disagreed, I pointed
to the place in the book where you disagreed.
You fell back to sleep and I began to read
those mysterious parts you used to guess at
while they were being written
and lose interest in after they became
part of the story.
In one of them cold dresses of moonlight
are draped over the chairs in a man’s room.
He dreams of a woman whose dresses are lost,
who sits in a garden and waits.
She believes that love is a sacrifice.
The part describes her death
and she is never named,
which is one of the things
you could not stand about her.
A little later we learn
that the dreaming man lives
in the new house across the street.
This morning after you fell back to sleep
I began to turn pages early in the book:
it was like dreaming of childhood,
so much seemed to vanish,
so much seemed to come to life again.
I did not know what to do.
The book said: In those moments it was his book.
A bleak crown rested uneasily on his head.
He was the brief ruler of inner and outer discord,
anxious in his own kingdom.

4
Before you woke
I read another part that described your absence
and told how you sleep to reverse
the progress of your life.
I was touched by my own loneliness as I read,
knowing that what I feel is often the crude
and unsuccessful form of a story
that may never be told.
I read and was moved by a desire to offer myself
to the house of your sleep.
He wanted to see her naked and vulnerable,
to see her in the refuse, the discarded
plots of old dreams, the costumes and masks
of unattainable states.
It was as if he were drawn
irresistibly to failure.

It was hard to keep reading.
I was tired and wanted to give up.
The book seemed aware of this.
It hinted at changing the subject.
I waited for you to wake not knowing
how long I waited,
and it seemed that I was no longer reading.
I heard the wind passing
like a stream of sighs
and I heard the shiver of leaves
in the trees outside the window.
It would be in the book.
Everything would be there.
I looked at your face
and I read the eyes, the nose, the mouth…

5
If only there were a perfect moment in the book;
if only we could live in that moment,
we could begin the book again
as if we had not written it,
as if we were not in it.
But the dark approaches
to any page are too numerous
and the escapes are too narrow.
We read through the day.
Each page turning is like a candle
moving through the mind.
Each moment is like a hopeless cause.
If only we could stop reading.
He never wanted to read another book
and she kept staring into the street.
The cars were still there,
the deep shade of the trees covered them.
The shades were drawn in the new house.
Maybe the man who lived there„
the man she loved, was reading
the story of another life.
She imagined a bare parlor,
a cold fireplace, a man sitting
writing a letter to a woman
who has sacrificed her life for love.

If there were a perfect moment in the book,
it would be the last.
The book never discusses the causes of love.
It claims confusion is a necessary good.
It never explains. It only reveals.

6
The day goes on.
We study what we remember.
We look into the mirror across the room.
We cannot bear to be alone.
The book goes on.
They became silent and did not know how to begin
the dialogue which was necessary.
It was words that created divisions in the first place,
that created loneliness.
They waited.
They would turn the pages, hoping
something would happen.
They would patch up their lives in secret:
each defeat forgiven because it could not be tested,
each pain rewarded because it was unreal.
They did nothing.

7
The book will not survive.
We are the living proof of that.
It is dark outside, in the room it is darker.
I hear your breathing.
You are asking me if I am tired,
if I want to keep reading.
Yes, I am tired.
Yes, I want to keep reading.
I say yes to everything.
You cannot hear me.
They sat beside each other on the couch.
They were copies, the tired phantoms
of something they had been before.
The attitudes they took were jaded.
They stared into the book
ad were horrified by their innocence,
their reluctance to give up.
They sat beside each other on the couch.
They were determined to accept the truth.
Whatever it was they would accept it.
The book would have to be read.
They are the book and they are
nothing else.

I’m glad I took the time to read this. It’s well worth it.

That is not love. That is only passion and lust. When you love you wish to do things for. You wish to sacrifice for. You wish to serve.

Ernest Hemingway (via whokilled)

I rarely sacrifice. It’s a problem.

(via pedrosanchez)

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1,020 plays

a-eliz:

loveyourchaos:

Maps // Yeah Yeah Yeahs

(this song is a classic as far as I am concerned)

Rebecca and I had dinner last night, and then went to see “The Phantom of the Opera” at the Fox Theater. Rebecca had never seen it performed live, so I got tickets for us as my present to her for our two year anniversary.

Dinner was tasty, and the musical was pretty good, but the highlight of the evening for me was Rebecca. We dressed up for the occasion—and let me tell you, I’ve never seen her so beautiful—and we were able to just enjoy a nice evening together. It was really great.

I think we’re going to try to see the Toy Story 1/Toy Story 2 double-feature in 3D this week. Here’s hoping for our schedules to line up!

I Remember, Nikki Giovanni

poetry365:

i remember learning you jump
in your sleep and smile
when you wake up

at first you cuddle
then one arm across my stomach
then one leg touching my leg then
you turn your back

but you smile when you wake up

i was surprised to know you don’t care
if your amp burns all night and that you could
play ohmeohmy over and over again just
because you remembered

i discovered you don’t like hair
in your bathroom sink and never step
your wet feet onto a clean rug

you will answer your phone
but you don’t talk too long and you do
rub my toes and make faces
while you talk
and your voice told her anyway
that i was there

you can get up at three and make sandwiches
and orange juice and tell jokes
you sometimes make incoherent sentences
you snore
and you smile when you wake up

i know you cry when you’re hurt
and curse when you’re angry
and try when you don’t feel
like it and smile at me
when you wake up

these things i learned through
a simple single touch
when fleshes clashed

Well, I began, as all the beginners in love do, with the crazy notion that if I loved her enough she must necessarily respond.
Robertson Davies (via whokilled) (via pedrosanchez)
116, Osip Madelstam

poetry365:

Take from my palms, to soothe your heart,
a little honey, a little sun,
in obedience to Persephone’s bees.

You can’t untie a boat that was never moored,
nor hear a shadow in its furs,
nor move through this life without fear.

For us, all that’s left is kisses
tattered as the little bees
that die when they leave the hive.

Deep in the transparent night they’re still humming,
at home in the dark wood on the mountain,
in the mint and lungwort and the past.

But lay to your heart my rough gift,
this unlovely dry necklace of dead bees
that once made a sun out of honey.

a-eliz:

fuckyeahkurthalsey:

jakkster:
i want this in my life. being able to be creative together is more important than how big your penis is. or how much you bench. or how good you dance. or how book smart you are.


I generally don’t reblog a lot of the Kurt Halsey illustrations, because if I started I’d probably reblog far too many of them. (That, and they seem to describe a sort of “uncanny valley” of cuteness. What Jakkster said, though, is so true.

a-eliz:

fuckyeahkurthalsey:

jakkster:

i want this in my life. being able to be creative together is more important than how big your penis is. or how much you bench. or how good you dance. or how book smart you are.

I generally don’t reblog a lot of the Kurt Halsey illustrations, because if I started I’d probably reblog far too many of them. (That, and they seem to describe a sort of “uncanny valley” of cuteness. What Jakkster said, though, is so true.

Note for Door, Ed Ochester

poetry365:

Today when I woke
you were gone
and I
was like a salesman
in a small-town hotel room
drunk on loneliness
and listening to laughter
next door
and I was
a boy scout marooned
in a dry-rotted cabin
by the greatest snowstorm
even seen in northern Vermont
listening to strange birds
scratching the roof
and I was
a man coming home
to his house full of children
and finding nothing there
but the echoes of his scream.

I am going out now
to look at
the green ducks
paddle nowhere
on the river
but if you should return
while I’m out marking time
this is to tell you
I’m home.

Visibility, Maura Stanton

poetry365:

I have no illusions.
When I roll towards you at dawn,
I can’t see you in the fog.
We’ve simply memorized each other.
I read a story about a giant
who couldn’t see his tiny wife
for all the clouds
drifting around his huge, sad head.
He’d stroke the tops of fir trees
thinking he’d found her hair.
In another version, his wife
turned into an egret,
her strong wings
brushing her husband’s face;
then she fell into the sea
weighted down by his immense tear.
Let me tell you this:
I miss your shadow, too,
but I know it waits above the fog
black as the shadow of the oak
you saw in your dream
when you woke up, almost happy.
I know our town’s invisible.
The pilots on the way to Alaska
think they’re over the sea.
Even if they glimpsed a light
through a rift in the clouds
they’d call it a ship
loaded with timber for the south.
Still, I hear those planes.
Last night on the satellite map
I saw land without clouds.
Remember, I groped for your hand.
Suppose the men go barefoot?
Suppose the women own fans?
You are the water,
the ocean off of my shore.
I will drown in you.
Daily Haiku on Love by Tyler Knott Gregson (via tylerknott) (via m-shapes)
384, Osip Mandlestam

poetry365:

How I wish I could fly
where no one could see me,
behind the ray of light
leaving no trace.

But you—let the light encircle you.
That’s the one happiness.
Learn from a star the meaning
of light.

If it’s a ray, if it’s light,
that’s only because
the whisper and chatter of lovers
strengthen and warm it.

And I want to tell you
that I’m whispering,
I’m giving you to the ray,
little one, in whispers.

Maybe…you’ll fall in love with me all over again.”
“Hell,” I said, “I love you enough now. What do you want to do? Ruin me?”
“Yes. I want to ruin you.”
“Good,” I said. “That’s what I want too.
Ernest Hemingway, A Farewell to Arms (via thechosenwords : heartwarming) (via blurthelines) (via breathsoftruth) (via belowutopia) (via lovebot)

Rebecca and I celebrated two years together on Saturday. That’s a lot of together. I’m going to go ahead and take this opportunity to say some things.

When I started dating Rebecca two years ago, I think—I know—that I thought life would get easier. Everything was going to fall into place. “This!” I said. “This is going to be so much less stressful than being single. There’ll be none of that anxiety that I won’t ever find someone.” Two years ago, I knew something that has turned out to be untrue. As it happens, I’ve made a habit out of knowing falsehoods as truth—my own fault, without a doubt—and it can be jarring when, climbing the staircase my knowledge has built, I put my weight on a trick step.

I knew how to be a good boyfriend. I knew Rebecca’s needs, and I knew how to meet them. I knew how to validate her, and how to encourage her. I knew how to respect her. I knew how to treat her, and (perhaps more importantly) how not to treat her. I knew what she wanted in a relationship. I knew how to love her; I knew nothing.

Five months into our relationship, I didn’t understand why we weren’t close. I didn’t understand why we weren’t comfortable around each other. I didn’t know why it was so hard for us to talk to each other. When were things going to get easier? Did I not have that which I had wanted my entire life: a woman to love, to share life with, to lift up and encourage and to snuggle up with when she didn’t mind? I knew nothing.

There is a good pride and a bad pride. My good pride, I think, was how proud I was of Rebecca. I was proud to be with her, and I was proud of her. And why not? She’s an incredibly talented person! She’s a gifted artist, and she plays the piano wonderfully. And she’s beautiful! Sometimes I hear men say things like, “I’m dating the most beautiful woman in the world!” and I think that man is absolutely crazy because I’ve met his girlfriend and she’s sort of mean and really who says that sort of thing anyway? Rebecca is the most beautiful person in the world to me. I’m also a hypocrite.

My bad pride, however, was how proud I was of myself. I was so self-assured, and I really thought that I got relationships and that I was doing everything that I could for Rebecca and me and that any problems we were still having were her fault. Pride led to disappointment, and disappointment led to bitterness and resentment.

We both felt that disappointment. It weighed on us as a couple and as individuals. Our relationship began to feel like a great, failed effort. We were not connecting with each other and we didn’t understand why. This was no longer fun. It was work.

Things were difficult for a long time after this started to sink in. We’d have remarkably draining day after day after day, punctuated by a day of sharp disappointment or—if we were lucky—a day of iridescent joy. I think that those few joy-filled days were all that we had for awhile. There was a purpose, though, to my (our?) misery.

I needed to be corrected. I needed to see that I didn’t know everything; that I didn’t understand Rebecca like I thought I did. I needed to have to work for our love, and to protect that love and fight desperately for its preservation. I needed to learn how to encourage her and comfort her, how to validate her, how to really trust her. I needed to learn how to be patient and take things a day at a time. I needed to learn how to really respect her. I needed to learn how to talk to her, and how to talk with her.

I’m still learning. In fact, I’m still learning how to do all of those things. I genuinely thought, two years ago, that I’d be engaged or married by now. It’s only looking back that I can see how not-ready I was—how not-ready we were—and be thankful that Rebecca doesn’t share my spontaneity. (Or: irresponsibility).

So, on Saturday, Rebecca and I celebrated two years together at her church’s big “family camp” that I only went to because I refused to be apart on that day. It wasn’t what I wanted, nor was it what I had planned. I had a restaurant picked out well in advance, and I had a whole evening planned for us. How did I end up spending this day instead? Going on a hike with Rebecca and her dad and spending the day with a bunch of people that I don’t know at all. If you know me, and if you’re still reading this you probably do, you know how well I deal (in other words, don’t deal) with strangers.

We talked on Sunday morning after breakfast. I told her the things I had planned, and that I was sorry—we could celebrate next weekend or the weekend after that. And what did Rebecca say? She told me that she knows I don’t consider a hike with a bunch of other people a celebration. She told me that she had a lot of fun, and she was so glad that I came along for the weekend, and that she’d rather go out on a hike and on a hayride with me than have a fancy dinner anyway. I was sort of stunned. Here I was, sort of pouting and upset that we didn’t get to do things exactly like I had planned, when it turned out that the person I should have been focused on had a great time and I was too hung up on myself to notice.

Rebecca and I have been together for two years now. They’ve been difficult, frustrating, exhilarating, joyful and humbling years. I can’t take the credit for them, though. At every turn where I’ve made a mistake, or steered us down the wrong path, or just mucked things up in general, the God that we’ve placed our faith in has come along and put us back on track. I’m never going to have earned this, but I’ll always be thankful for it.

Two years. Here’s hoping for many more to follow.