| — | A.S. Byatt, The Virgin in the Garden (via scout) |
seen from a great enough distance i cannot be seen
i feel this as an extremely distinct sensation
of feeling like shit; the effect of small children
is that they use declarative sentences and then look at your face
with an expression that says, ‘you will never do enough
for the people you love’; i can feel the universe expanding
and it feels like no one is trying hard enough
the effect of this is an extremely shitty sensation
of being the only person alive; i have been alone for a very long time
it will take an extreme person to make me feel less alone
the effect of being alone for a very long time
is that i have been thinking very hard and learning about existence, mortality
loneliness, people, society, and love; i am afraid
that i am not learning fast enough; i can feel the universe expanding
and it feels like no one has ever tried hard enough; when i cried in your room
it was the effect of an extremely distinct sensation that ‘i am the only person
alive,’ ‘i have not learned enough,’ and ‘i can feel the universe
expanding and making things further apart
and it feels like a declarative sentence
whose message is that we must try harder’
I am now going to ask you a favor which sounds quite crazy, and which I should regard as such, were I the one to receive the letter. It is also the very greatest test that even the kindest person could be put to. Well, this is it:
Write to me only once a week, so that your letter arrives on Sunday — for I cannot endure your daily letters, I am incapable of enduring them. For instance, I answer one of your letters, then lie in bed in apparent calm, but my heart beats through my entire body and is conscious only of you. I belong to you; there is really no other way of expressing it, and that is not strong enough. But for this very reason I don’t want to know what you are wearing; it confuses me so much that I cannot deal with life; and that’s why I don’t want to know that you are fond of me.
| — |
Franz Kafka wrote exactly the sort of love letters you’d expect. (via jlovely) (via pedrosanchez) |
While I was driving around on Saturday, I was thinking about whether or not people reach an event horizon of sorts in their romantic relationships. Once we cross a certain arbitrary threshold in our togetherness, does there come a time when we can no longer escape from the gravity created by our intimacy and we give in to its pull?
I am not referring to settling for someone. I think the settling process usually happens before a relationship ever progresses far enough to reach the event horizon. If you merely settle for your partner under the assertion that you probably won’t find anyone better, or that you don’t want to go through the difficulty of making yourself vulnerable to another human being, the intimacy in your relationship will never have gravity enough to really bring you to the point of no return.
I guess what I’m saying is that people get to a point in their relationships, and once this point is crossed, the way is shut behind them, and they are drawn by the gravitational pull of their accumulated intimacy toward whatever end.
I’m really tired. I wish this made more sense. Writing through this helped me clarify and understand my opinion. What does everyone else think?
I came back from the funeral and crawled
around the apartment, crying hard,
searching for my wife’s hair.
For two months got them from the drain,
from the vacuum cleaner, under the refrigerator,
and off the clothes in the closet.
But after other Japanese women came,
there was no way to be sure which were
hers, and I stopped. A year later,
repotting Michiko’s avocado, I find
a long black hair tangled in the dirt.
speaking of love(of
which Who knows the
meaning;or how dreaming
becomes
if your heart’s mind)i
guess a grassblade
Thinks beyond or
around(as poems are
made)Our picking it. this
caress that laugh
both quickly signify
life’s only half(through
deep weather then
or none let’s feel
all)mind in mind flesh
In flesh succeeding disappear
(via eecummings)
The Swell Season - I Have Loved You Wrong
Here’s another track from The Swell Season’s new album, Strict Joy. It came out today, and it was definitely worth buying. (For those who don’t recognize The Swell Season, they’re the leads from “Once”.) I’ve been linking to their deluxe edition album, which includes the studio album, a live album and a concert on DVD for $18, but you can pick up the no-frills edition for $10, or you can get both the live album and the studio album for $15 on Amazon MP3. I don’t even have referral links set up for these. Perhaps I should!
On that note, time to shower and go to class.
1
We are reading the story of our lives
which takes place in a room.
The room looks out on a street.
There is no one there,
no sound of anything.
The trees are heavy with leaves,
the parked cars never more.
We keep turning pages,
hoping for something,
something like mercy or change,
a black line that would bind us
or keep us apart.
The way it is, it would seem
the book of our lives is empty.
The furniture in the room is never shifted,
and the rugs become darker each time
our shadows pass over them.
It is almost as if the room were the world.
We sit beside each other on the couch,
reading about the couch.
We say it is ideal.
It is ideal.2
We are reading the story of our lives
as though we were in it,
as though we had written it.
This comes up again and again.
In one of the chapters
I lean back and push the book aside
because the book says
it is what I am doing.
I lean back and begin to write about the book.
I write that I wish to move beyond the book,
beyond my life into another life.
I put the pen down.
The book says: He put the pen down
and turned and watched her reading
the part about herself falling in love.
The book is more accurate than we can imagine.
I lean back and watch you read
about the man across the street.
They built a house there,
and one day a man walking out of it.
You fell in love with him
because you knew that he would never visit you,
would never know you were waiting.
Night after night you would say
that he was like me.
I lean back and watch you grow older without me.
Sunlight falls on your silver hair.
The rugs, the furniture,
seem almost imaginary now.
She continued to read.
She seemed to consider his absence
of no special importance,
as someone on a perfect day will consider
the weather a failure
because it did not change his mind.
You narrow your eyes.
You have the impulse to close the book
which described my resistance:
how when I lean back I imagine
my life without you, imagine moving
into another life, another book.
It described your dependence on desire,
how the momentary disclosures
of purpose make you afraid.
The book describes much more than it should.
It wants to divide us.3
This morning I woke and believed
there was no more to our lives
than the story of our lives.
When you disagreed, I pointed
to the place in the book where you disagreed.
You fell back to sleep and I began to read
those mysterious parts you used to guess at
while they were being written
and lose interest in after they became
part of the story.
In one of them cold dresses of moonlight
are draped over the chairs in a man’s room.
He dreams of a woman whose dresses are lost,
who sits in a garden and waits.
She believes that love is a sacrifice.
The part describes her death
and she is never named,
which is one of the things
you could not stand about her.
A little later we learn
that the dreaming man lives
in the new house across the street.
This morning after you fell back to sleep
I began to turn pages early in the book:
it was like dreaming of childhood,
so much seemed to vanish,
so much seemed to come to life again.
I did not know what to do.
The book said: In those moments it was his book.
A bleak crown rested uneasily on his head.
He was the brief ruler of inner and outer discord,
anxious in his own kingdom.4
Before you woke
I read another part that described your absence
and told how you sleep to reverse
the progress of your life.
I was touched by my own loneliness as I read,
knowing that what I feel is often the crude
and unsuccessful form of a story
that may never be told.
I read and was moved by a desire to offer myself
to the house of your sleep.
He wanted to see her naked and vulnerable,
to see her in the refuse, the discarded
plots of old dreams, the costumes and masks
of unattainable states.
It was as if he were drawn
irresistibly to failure.
It was hard to keep reading.
I was tired and wanted to give up.
The book seemed aware of this.
It hinted at changing the subject.
I waited for you to wake not knowing
how long I waited,
and it seemed that I was no longer reading.
I heard the wind passing
like a stream of sighs
and I heard the shiver of leaves
in the trees outside the window.
It would be in the book.
Everything would be there.
I looked at your face
and I read the eyes, the nose, the mouth…5
If only there were a perfect moment in the book;
if only we could live in that moment,
we could begin the book again
as if we had not written it,
as if we were not in it.
But the dark approaches
to any page are too numerous
and the escapes are too narrow.
We read through the day.
Each page turning is like a candle
moving through the mind.
Each moment is like a hopeless cause.
If only we could stop reading.
He never wanted to read another book
and she kept staring into the street.
The cars were still there,
the deep shade of the trees covered them.
The shades were drawn in the new house.
Maybe the man who lived there„
the man she loved, was reading
the story of another life.
She imagined a bare parlor,
a cold fireplace, a man sitting
writing a letter to a woman
who has sacrificed her life for love.
If there were a perfect moment in the book,
it would be the last.
The book never discusses the causes of love.
It claims confusion is a necessary good.
It never explains. It only reveals.6
The day goes on.
We study what we remember.
We look into the mirror across the room.
We cannot bear to be alone.
The book goes on.
They became silent and did not know how to begin
the dialogue which was necessary.
It was words that created divisions in the first place,
that created loneliness.
They waited.
They would turn the pages, hoping
something would happen.
They would patch up their lives in secret:
each defeat forgiven because it could not be tested,
each pain rewarded because it was unreal.
They did nothing.7
The book will not survive.
We are the living proof of that.
It is dark outside, in the room it is darker.
I hear your breathing.
You are asking me if I am tired,
if I want to keep reading.
Yes, I am tired.
Yes, I want to keep reading.
I say yes to everything.
You cannot hear me.
They sat beside each other on the couch.
They were copies, the tired phantoms
of something they had been before.
The attitudes they took were jaded.
They stared into the book
ad were horrified by their innocence,
their reluctance to give up.
They sat beside each other on the couch.
They were determined to accept the truth.
Whatever it was they would accept it.
The book would have to be read.
They are the book and they are
nothing else.
I’m glad I took the time to read this. It’s well worth it.
| — |
|
Maps // Yeah Yeah Yeahs
(this song is a classic as far as I am concerned)
Rebecca and I had dinner last night, and then went to see “The Phantom of the Opera” at the Fox Theater. Rebecca had never seen it performed live, so I got tickets for us as my present to her for our two year anniversary.
Dinner was tasty, and the musical was pretty good, but the highlight of the evening for me was Rebecca. We dressed up for the occasion—and let me tell you, I’ve never seen her so beautiful—and we were able to just enjoy a nice evening together. It was really great.
I think we’re going to try to see the Toy Story 1/Toy Story 2 double-feature in 3D this week. Here’s hoping for our schedules to line up!
i remember learning you jump
in your sleep and smile
when you wake upat first you cuddle
then one arm across my stomach
then one leg touching my leg then
you turn your backbut you smile when you wake up
i was surprised to know you don’t care
if your amp burns all night and that you could
play ohmeohmy over and over again just
because you rememberedi discovered you don’t like hair
in your bathroom sink and never step
your wet feet onto a clean rugyou will answer your phone
but you don’t talk too long and you do
rub my toes and make faces
while you talk
and your voice told her anyway
that i was thereyou can get up at three and make sandwiches
and orange juice and tell jokes
you sometimes make incoherent sentences
you snore
and you smile when you wake upi know you cry when you’re hurt
and curse when you’re angry
and try when you don’t feel
like it and smile at me
when you wake upthese things i learned through
a simple single touch
when fleshes clashed
| — | Robertson Davies (via whokilled) (via pedrosanchez) |
Take from my palms, to soothe your heart,
a little honey, a little sun,
in obedience to Persephone’s bees.You can’t untie a boat that was never moored,
nor hear a shadow in its furs,
nor move through this life without fear.For us, all that’s left is kisses
tattered as the little bees
that die when they leave the hive.Deep in the transparent night they’re still humming,
at home in the dark wood on the mountain,
in the mint and lungwort and the past.But lay to your heart my rough gift,
this unlovely dry necklace of dead bees
that once made a sun out of honey.